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To the Well

The Hamilton Gallery in Sligo invited me and other women artists to respond to the commissioned poem, St Brigid’s Well, by Eiléan Ní Chuilleanáin, Aosdána. It was part of the Lá Fhéile Bríde / St Brigid’s Day celebration of women and creativity. This was an initiative created and pioneered by the Department of Foreign Affairs, and Ireland’s embassies and consulates around the world.

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To the Well. Oil on board. 30 x 30 cm..jpg

To the Well. Oil on board. 30 x 30 cm

Anchor 1

To the Well was inspired by the poem’s opening line, “When I asked the way to the well people knew what I meant, and at last I found the place.” There is healing to be found in water, thus motivating me to respond in as simple a way as possible.

St Brigid's Well

by Eiléan Ní Chuilleanáin

i

When I asked the way to the well people knew what I meant,

and at last I found the place. There was a tree

with rosary beads and white paper

twisted around the branches. I watched a girl

who arrived just after me wearing pink trousers

and bright red sandals. She came in from the road, she stood

and prayed and reached out touching a stone, then moved

a few feet to the right and did it all again. Just there,

the path was a short cut from the road to the houses,

people passed with their shopping, heading home;

one woman with a child, I heard her saying

to the child walking along in her school uniform,

'It's for all the little babies that passed away.'

I wrote her words down that same evening, to be sure

I had the truth. It was three in the afternoon,

Wednesday, in the month of June. I had caught her answer

to the question I didn't hear, in among the voices,

the cars on the road, the soft slap of the sandals

the silent visitor wore, the children coming from school.

ii

Well, I thought, who needs apparitions?

but they came anyway, in spite of me,

rising like steam out of a dark patch on the road,

or more like the burning smell

from a dark patch on an old door. 

If I wanted a map that would just show the wells,

the culverted streams, the short cuts, they came,

they congregated, they insisted, 'What about

the wall where the girls played one-two-three-O'Leary?'

they said. I said, 'Why do you want me to put that in?'

'Or Lovers' Walk?' they said. I gave them back their stare:

'What about the swan?' said I, 'I saw her just now in my search,

so close to me, through a gap in a high wall,

her head, her bending neck, white feathers of one wing?'

How could she nest up there, and seem at ease?

but when I turned to leave behind the dead-end

and come down again beside the factory wall,

I heard the mill stream splashing downhill,

inside its prison pipe, out of the brimming pond

that I had not seen. Could I have forgotten

the excess of water? the excess of all the stories

I might have heard, as I searched for St Brigid's well.

I

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